Difference Analysis Between Classical Ballet And Modern Dance.pdf

Luo Jianping (Department of Music, Gannan Normal University, Ganzhou, Jiangxi): Dance is an art with an ancient and long history. It reflects and expresses people’s social life, thoughts and emotions. Due to the differences in history, culture, and living habits of countries and regions around the world, The differences will inevitably produce many dances with different styles and characteristics. This article discusses the origin and formation, characteristics and characteristics of classical ballet and modern dance, as well as dance performances, so as to have a clearer understanding of classical ballet and modern dance. The key Words: Classical ballet; modern dance; dance CLC number: J705 Document identification code: Article number: 1004–0120-03 Dance is a plastic art that uses people's inner vitality to express the rhythmic movements and gestures of the human body. It It originated from the simulated reproduction of ancient human activities such as labor life and combat drills for survival, as well as the ritual activities of totem worship, religious witchcraft and the inner impulse to express one's own emotions and thoughts. It is generated in combination with music and poetry, and is used in dance In the development process, some of the practical functions have weakened or disappeared and evolved into entertainment content. Since dance reflects human social life, different social lives will produce different types of dance. The development of dance art to this day has been divided into refined and popular. There are classical and modern dances. Therefore, when learning classical ballet and modern dance, you must understand their style characteristics and grasp the differences between them, so as to achieve the purpose of better performance and appreciation. 1. Classical Ballet (1) The origin form of ballet is a transliteration of French. Classical dance dramas from various European countries are collectively called ballet. It is a dance variety that uses European classical dance as the main means of expression and integrates music, drama, stage art and other art forms.

Classical ballet is relative to modern ballet. It refers to a dance art form from the 14th century to the end of the 19th century. Ballet was originally a kind of mass self-entertainment or square performance dance in Europe. When it became a comprehensive stage art, it originated in Italy during the Renaissance in the 14th century. The ballet at that time was based on the folk dances of various European countries, taking the plastic arts of ancient Greece as its aesthetic style, absorbing dance materials processed from Asia and Africa, and integrating music, pantomime, and stage art to express a sequence. The dramatic art of plot or story was a popular art form in European countries at that time. Ballet was only formed in the French court in the 17th century. The world's first royal dance school founded by French King Louis XIV in Paris established the five basic foot positions and twelve hand positions of ballet (the five basic foot positions Still used today (the twelve hand positions are now simplified to seven hand positions), strict norms and structural forms have been formed in its development. Its most important feature is that the actress wears special shoes and dances on tiptoe. French court ballet combines dance, music, singing, recitation and drama. In the mid-18th century, Jeanya, the ballet master, first proposed the idea of ​​"plot ballet", which brought ballet to a new stage. Major changes have taken place in terms of subject matter, content, music, costumes, techniques, etc. Ballet has never been the same again. It is no longer bound by drama and becomes an independent art category. (2) Features and Characteristics) Opening: It refers to the extensor opening of ballet students from the five major joints such as shoulders, chest, hips, ankles, etc., in order to make the most scientific and optimal use of the huge movement potential contained in their bodies. Fully developed.

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Because only when the five joints such as shoulders, chest, hips, and ankles are partially "opened" can the body be more flexible, moldable, and stable, and can it be easier to change the direction of movements at any time, and can it better complete those graceful movements. , fascinating variety of changing skills on the ground and in the air. ) Stretching: It means that people who learn ballet need to "stretch" all parts of the lower limbs such as the hips, knees, ankles and insteps. Ballet is a linear art. Only when it is "stretched" can the original lines of the limbs be more effectively extended, making the dance postures and shapes more generous and stretched. Ballet is also an art with airborne activity. In order to make the body airborne and jump, the dancer must also rely on the power of "stretching" to quickly jump. Journal of Gannan Normal University 2003 Received date: 2002-11-18 About the author : Luo Jianping (1956—), male, from Ganzhou City, Jiangxi Province, lecturer in the Music Department of Gannan Normal University. The energy of tightening the muscles in various parts of the body is concentrated towards the center line of the human body, and then through the clever cooperation of the limbs, the vertical or front and back jumping movements and skills can be completed lightly. Only when the "tightening" is straightened, the dancing posture can be more upright and straight. moving. ) Straight: It means that people who learn ballet need to develop a straight and flexible back. Only with a straight and flexible back can you have an upright posture. With an upright posture, when practicing pointe, the toes can be completely upright. The toes support the entire center of gravity of the human body, causing the center of gravity of the entire body to converge and lift as much as possible. Try your best to launch energy into the air to give people a more prominent sense of space occupation. Ballet's rotations, jumps, and leg control postures are all perfect expressions of "straight" posture.

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) Lifting: refers to lifting every joint and muscle of the human body, as if the human body becomes lighter and lighter. "Standing" gradually forms a feeling of upward lifting with the cooperation of training muscle quality and ability, which helps to complete the jumping, rotating, and lifting movements, so that the dance has direction and spatial changes without being dull and lifeless. Open, stretched, straight and upright are the basic postures of classical ballet, reflecting the rigor and standardization of basic classical ballet training. Basic Characteristics Lightness is a fundamental characteristic of ballet. Lightness in ballet can help actors shape and visualize their roles (such as the elf and the happy princess in "The Sleeping Man"), and enable actors to jump and take off powerfully. Accompanied by lightness, their feet seem to be flying in the air. Desire to fly (eg: "Ancient Clarity" is another basic characteristic of ballet. Dance is an ephemeral, non-verbal art that expresses plots or stories through actors' performances and music, so clarity is indispensable. In classical In ballet, music and actors can reflect the character's personality and emotions. Therefore, the clarity of the mental outlook shows whether the actor can integrate the music style and dance breath, giving people a beautiful enjoyment, using dance to see through a culture and express a culture. Spirit. It can clearly show the unique palace temperament of classical ballet. The basic nature of classical ballet is its graceful and elegant nature. The graceful and elegant style makes the dance steps look effortless, fully showing the demeanor of the aristocratic gentleman of the court. Graceful and elegant The dance movements are run through with a rigorous and silkless stream, which is the highest form of expression unique to classical ballet. (3) Stage performance Classical ballet is a kind of court art, which plays an irreplaceable role in dance types.

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Classical ballet is an aesthetic art, so the elegant dance postures and standardized straight legs, leg extensions, pointe dance skills, jumps, and whirls… all present a distinctive style, and the movements are perfectly smooth, delicate and complex in one go. The beauty. The high aristocratic demeanor, splayed shoulders, chest, hips, and feet, coupled with the graceful and luxurious clothing, plus the light and thin figures floating on the toes, are so ethereal and elegant, it will always make people crazy. fan. 2. Modern Dance (1) Origin and Formation Modern dance is a dance genre that emerged in Europe and the United States at the end of the 19th century and the beginning of the 20th century. Its main aesthetic point of view is to oppose the formalist tendency of classical ballet to be conservative, divorced from real life and purely pursuing skills; it advocates getting rid of the constraints of classical ballet's overly rigid movement programs, and using dance movements that conform to natural movement laws to freely express human reality. Emotion, emphasizing that dance art should reflect modern social life. By the 19th century, European classical ballet had shown a tendency to be rigid, stylized, and pursue one-sided techniques, and classical ballet began to decline. The end of the 19th century was the period when the bourgeoisie phase began to dominate. The social information of the era was complex. It affected artists from many aspects, thus forming their own artistic characteristics and theoretical schools. In terms of dance, at the beginning of the 20th century, the American Isadora Duncan challenged traditional ballet. She completely broke with classical ballet, advocated "returning to nature", fully used the human body as a means of expression, and bravely expressed her will. Let subjective emotions play a leading role in the art of dance. She dared to challenge traditional conservative ideas, and was therefore known as the "Father of Modern Dance." After analyzing the coordination of the brain, nerves and muscles, the Hungarian Rudolf Laban proposed a set of principles for expressing expressions and exploring human body movements. and the maximum limit of expression.

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He established the physical training method of modern dance with the purpose of enabling actors to use their own movements to fully express their inner motivations and feelings. Laban also created dance notation, and he is known as the "Father of Modern Dance Theory." Modern dance gradually took shape under the continuous creation and improvement of pioneers such as Duncan and Laban, but modern dance does not seek to create a fixed system, nor does it pursue eternity and immortality. It constantly denies others and constantly denies itself, so it is a "revolution" that is never completed and continues to move forward. (2) Characteristics and characteristics of basic postures The posture of modern dance is "returning to nature", but "returning to nature" is not an arbitrary natural movement, but a natural movement that conforms to objective laws. It is a contraction and relaxation technique based on breathing techniques and rhythm. It is based on the muscle and nerve responses generated by internal or external stimulation of the body, plus exaggerated, rough, and powerful rhythms to fully utilize the potential of the limbs. sports potential to reveal people’s inner world and convey various life experiences. Basic characteristics: Modern dance is an advanced thought and spirit. It is an art form that keeps pace with the times and transcends the times. Modern dance is opposed to traditional dance art. It reveals the mystery deep in the soul, that is, the spirit that transcends itself and develops infinitely. Under the guidance of this spirit, modern dance has both the originality and the classics of the times. It takes continuous innovation as its mainstream and continuously pushes the art of dance forward. The language of modern dance itself is characterized by ambiguity.

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However, the vague characteristics of language should not be the reason why the meaning of the work cannot be conveyed clearly. In other words, a specific dance movement of modern dance can be a "word" with multiple meanings, but the meaning of the work itself should be clear. What the choreographer hopes to convey to the audience should be clear, and it should be able to make the audience understand Somewhat understanding. In order to achieve this, choosing the most appropriate movements to express all the artistic connotations is the basic starting point of dance art creation, and it is also the most important point in artistic creation. The basic nature of modern dance breaks the old constraints of dance forms and the aesthetics of classical ballet, making full use of body language to express the inner spiritual world of the choreographer. Make dance not only an art for entertainment or appreciation, but also a noble art with profound content that can express human thoughts. (3) Stage performance Because modern dance uses movements that conform to natural movement laws as dance movements, it freely expresses people's sincere emotions and emphasizes the reflection of modern social life. Therefore, the stage art and lighting system called "freehand drama" in our country, as well as polymodal, atonal, and lack of melody music, appeared to serve modern dance performances. Under the changes of these factors, from the beginning to the end of modern dance, the movements cling to each other, depend on each other, and are indispensable. Therefore, many novel movements will appear during the performance, such as unique connections, transitional movements, and unique shapes. These are just to better and more uniquely reflect modern social life and the inner world of the author, so as to achieve the continuous innovation of modern dance. In summary, due to the social attributes of dance, it is not only for people’s entertainment and appreciation, but also It reflects different thoughts and life issues in different societies.

Classical ballet is a product of European classical dance and originated from the court. It is a kind of aestheticism that expresses perfect human nature and expresses the inseparability of human noble sentiments and will. It hides the pure inner emotions, this sincere emotion of the pursuit of a better life, which is the artistic charm of the fresh classical ballet genre. If today's classical ballet wants to be nationalized and mass-oriented, it is important to pay attention to the development of thinking, artistic conception, conception, vocabulary, music and other issues. Modern dance is a product of capitalist society after classical ballet and has a certain pioneering spirit. It is based on advanced ideas, pursues spiritual liberation, and uses its own body language to reflect society and one's own inner world. As modern science continues to penetrate into the field of art, modern dance is becoming more and more scientific. Therefore, it is necessary to create modern dance that is "contemporary" with a modern spirit and scientific attitude. The biggest difference between classical ballet and modern dance is that the former uses rigorous, standardized and perfect technical movements to restrain one's emotions, while the latter uses natural movement laws to reflect real life and express one's emotions, daring to innovate and make breakthroughs. The old model. Only by understanding and distinguishing them can we correctly grasp the style characteristics of the two and better perform and appreciate the two different styles of dance. Editor in charge: Han Shanshan-ping .. . Journal of Gannan Normal University 2003

"Jane Eyre": Modern Ballet With Western Themes

In the ballet "Jane Eyre", in addition to the deep love between Jane Eyre and Rochester, the mad woman Lady Bertha is also brought to the stage. The choreographer created Lady Bertha as the shadow of Jane Eyre.Gao Jianping morning news information

Morning Post reporter Liao Yang

The modern ballet "Jane Eyre" is considered to be the best-looking ballet work recently produced by Shanghai Ballet Company, and it is also the most popular ballet work among viewers. Since its premiere in November last year and its five consecutive performances in London, England, in August this year, "Jane Eyre" has toured a total of 26 shows at home and abroad and has been well received. In addition to winning awards for their works, Shanghai Ballet's principal dancers Wu Husheng and Fan Xiaofeng also won the gold medal for performance at this year's "Lotus Award". Dancer Xiang Jieyan, who started starring in Jane Eyre in London Tour, won the silver medal for performance.

The judges of the "Lotus Award" commented that "Jane Eyre" is a rare masterpiece among the entries this time, whether it is the maturity of the dancers or the elegant and fresh structure of the dance drama. Ou Jianping, one of the judges of the "Lotus Award" and director of the Dance Research Institute of the China Academy of Arts, commented that "Jane Eyre" is a modern ballet work with clean and pure characters and quiet and heart-warming content. The modern dance drama uses Western themes to create and compose it. It is also the best way for a dance company to go abroad and integrate into the West.

Walking on the edge of the knife

A major feature of the modern ballet "Jane Eyre" is that it not only restores and expresses the deep love between Jane Eyre and Rochester, but also brings to the stage Lady Bertha, the madwoman in the attic who was absent in the original work. An extremely stable triangle relationship strengthens the dramatic conflict of the work. "I tried to bring Lady Bertha to the stage. Her pain and emotional suffering are all important parts of the play." German director Patrick de Bara said that he read the novel repeatedly and watched the 2011 In the film version of "Jane Eyre", Lady Bertha's energy can be felt throughout. And Bertha gave him the feeling of sadness, "She is the only victim in the whole story. She is very innocent, much more innocent than Jane Eyre."

Patrick basically created Lady Bertha as the shadow of Jane Eyre. Just like contradictory things such as day and night, turning on and off the lights, the appearance of the two always complements each other, and each plays half of the role in the play. Compared with Jane Eyre's quiet and restrained classical temperament, Lady Bertha, who has many crazy moves, is full of aura and more modern. "If the story of the 19th century is repeated and put on the stage without any difference, and it only revolves around Jane Eyre, it will only be a simple and boring love story. It is better to just read the original novel." When choreographing, Patrick The dancers on stage are also required to dance as if they are on the verge of life and death, to complete seemingly dangerous movements, and to have the feeling of dancing on the edge of a knife.

dance with heart

In terms of challenges, the biggest challenge in "Jane Eyre" is of course the dancers. Rehearsing this play is like opening a new door for all Shanghai Ballet dancers. All dancers have a new feeling of dancing like eating fresh and delicious food.

Compared with other works he has performed before, the biggest feeling that Rochester brought to Wu Husheng was the difficulty of "character expression". Generally speaking, dance characters are either unrestrained or restrained, but Rochester has a lot of inner subtexts and intense conflicts. "How to grasp the degree of inner conflict is the most difficult part for me. It can't be too much, not enough, and the movements can't be too free." Although I have repeatedly watched the original work of "Jane Eyre" and the movie based on it, After all, what Wu Husheng obtained was only the most superficial feeling. The accumulation of rehearsals and repeated reminders from the director allowed him to gradually get closer to the inner texture of the character. "This is a long and arduous process, and there are no shortcuts."

The physical exertion of "Jane Eyre" on the dancers was so great that Wu Husheng was caught off guard. Often, as soon as one movement ended, he would start the next movement before he could catch his breath, with almost no pause. The dance vocabulary of modern ballet and classical ballet are very different, and the way and amplitude of muscle exertion are also completely different. "Patrick's choreography is extremely fast in rhythm and style, and many of the floor-to-ground movements require us to crawl around on the ground every day, which makes us very uncomfortable."

There were also viewers who had doubts about whether Wu Husheng could dance the middle-aged Rochester well at such a young age. Wu Husheng said: "I don't take this kind of doubt to heart at all. As an actor, I am also very used to others having doubts about me." This is not the first time that he has played a role with a huge age contrast. In "The Years", Wu Husheng also played a middle-aged character in his forties at the age of less than 20 years old. "When I first started rehearsing, I did find it a little difficult to integrate into the character. On the one hand, I am middle-aged, and on the other hand, the character is a foreigner. The double obstacles caused me to not be able to put the character in my heart very well, but now I feel That is, just put your heart and soul into the performance." Until now, Wu Husheng can't say that he can master the role easily. He can only use daily training to maintain his understanding of the role, and this will bring about great progress. "Whether it's physical exhaustion or psychological torture, "Jane Eyre" is the most important to me. It endures the most hardships and brings me the most rewards and honors."

Fan Xiaofeng's understanding of Mrs. Bertha is "dare to love and dare to hate". "Whether it is the character, costumes or choreography, this is a modern role." Compared with other roles played by Fan Xiaofeng, Mrs. Bertha is also a modern character. The most dramatic role he has ever performed.

Prior to this, Fan Xiaofeng mostly danced rigorous classical ballet. Classical ballet requires dancers to maintain a good center of gravity at all times. The modern ballet "Jane Eyre" allowed her to break out of these constraints and break the body language of the upper body that basically remained stationary. During the performance, the center of gravity was also placed in a secondary position, "That This seemingly falling state is what Patrick hopes to see. It is a state that subverts classical ballet and is never on the center of gravity." Fan Xiaofeng said that such seemingly dangerous movements often prevent the audience from predicting the dancer's next move. What will it be.

"We didn't accept this kind of dancing at first. After all, we haven't received professional modern dance training." "Jane Eyre" allowed Fan Xiaofeng to completely abandon the dazzling elements of classical ballet, and do a lot of exercise from top to bottom, including the heart. , there have also been corresponding changes in emotion and tension. "If we only have movements and no emotions, we will be just puppets without any emotional interaction with the audience. "Jane Eyre" made me understand that when dancers dance with their heart, even if they don't make any movements on the stage, they will It brings a different viewing experience to the audience." Like Wu Husheng, Fan Xiaofeng said with a shy smile that at least for now, "Jane Eyre" is the ballet work that has brought them the most growth, regardless of whether the audience is interested in the two or not. If you understand it, at least you will have a new understanding of it the moment you walk into the theater.

Decoration Case | 420㎡ French Neoclassical Style Villa Is Extremely Elegant And Luxurious!

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Elegant And Luxurious Palace Style——ETRO 2016 Spring And Summer Ribbon Skirt

In that classical romantic period when the smell of roses was floating in the air, the French court ladies accidentally discovered that using ribbons that were traditionally only used for clothing decoration, randomly designed flower patterns were embroidered on the cloth, which had an amazing effect. The effect is astonishingly elegant and luxurious.

These embroidered ribbons not only have brilliant colors, but are also as noble and delicate as silk, which is fascinating. For a time, ribbon embroidery spread throughout the French court like a gust of wind, and this became the origin of ribbons. 2016 spring and summer ETRO brings this classical elegance and romance back into the eyes of fashion people, interpreting classic palace style.

Whether it is a sexy and elegant suspender dress or a cute and romantic skirt, the waist is surrounded by a ribbon embroidered with exquisite flower patterns, which outlines the delicate waist curve of women. The design on the back of the top is also unique. It is fixed and adjusted in size by a delicate and slender ribbon. It makes you feel like a princess in an ancient European castle. Each exquisite ribbon is used to shape a slender waist.

The romantic and dreamy spring and summer long skirt series is decorated with embroidered ribbons to add a mysterious charm. The voluptuous and passionate red skirt is fixed by a ribbon at the waist. The open skirt has a unique design, and the shadowy leg curves when walking add to the noble sex appeal. The soft and elegant light-colored long skirt is decorated with delicate ribbons on the cuffs and waist, and the details exude a classic palace temperament. The mysterious and elegant black long dress has a ribbon design added to the cuffs. The see-through long sleeves perfectly modify the arm lines, and the ribbons on the cuffs outline the slender wrists, giving it a romantic, magical and mysterious atmosphere.

Do You Know The Eight Most Stunning Beauties In Chinese Film History?

The eight most stunning beauties in Chinese film history, from looks to temperament, each one is incredibly beautiful. Eighth, Wang Siyi, Wang Siyi is known as the most charming Pan Jinlian. She etched her name in film history with just one look. Her role as Pan Jinlian is difficult to surpass.

Seventh, Gong Xue, Gong Xue was once called China’s Yamaguchi Momoe. She is not only beautiful in appearance, but also elegant and pure in temperament. It's a pity that she didn't leave many works behind.

Sixth, Zhu Lin, almost everyone knows Zhu Lin. The king of the daughter country is her most outstanding role, and her eyes can captivate many people.

Fifth, Li Jianqun, Li Jianqun is a true classical beauty. She played the very classic Concubine Wu Hui and Xu Cairen. Unfortunately, God was too cruel to her and she died at the age of 61.

Fourth, from the sad expression between Chen Xiaoxu's eyebrows, to the weak and strong temperament, to the aloof and aloof character, there will not be another person in the world who can perform Lin Daiyu's beautiful smile so outstandingly.

Third, Lin Fangbing, she plays Yang Guifei, her body and image are just right, as if she is the reincarnation of Yang Guifei, and she was once called the most beautiful Yang Guifei.

Second, Zhao Mingming, among a group of beauties that emerged in the Chinese entertainment industry at that time, Zhao Mingming can be said to be an extremely outstanding costume goddess and well deserved.

First, Chen Hong, she is a typical classical beauty, she is round and plump, like a delicate peony flower. When Chen Hong was young, she was as beautiful as a flower. The media once called her the most beautiful woman in mainland China.

Who is the most beautiful among these oriental beauties? Please leave a message in the comment area. Here I sincerely wish them to be young and beautiful forever and have a safe life!

8 Real Beauties From "Jiangnan, China": All Of Them Have Picturesque Features, And They Are 8 Blocks Away From The Current White And Thin Appearance.

As the saying goes: "Beautiful women have appeared in the south of the Yangtze River since ancient times." The poet Wei Zhuang even wrote about the beauty of the beauties in the south of the Yangtze River in a poem "Bodhisattva Barbarian", that is, "the people on the side are like the moon, and their bright wrists are covered with frost and snow."

In ancient times, there were famous beauties in the Jiangnan area such as Xi Shi, Zhao Feiyan, Zhang Lihua, Zhou Ehuang, and Su Xiaoxiao.

In modern times, a group of Jiangnan beauties have entered the entertainment industry. They have all left images that prove their beauty in movies and TV dramas. Different from beauties in other regions, some beauties here have picturesque features, and some have skin as good as snow. The overall appearance is Gentle and classical beauty is the representative of Chinese beauty.

The so-called "Jiangnan" can be divided into Jiangnan in the narrow sense and Jiangnan in the broad sense. There is also Jiangnan in the cultural sense, which generally includes northern Zhejiang, Shanghai, southern Jiangsu and other surrounding areas. Because of the unique cultural and geographical background, the beauties of Jiangnan are all in their hearts. Just like the drizzle in the south of the Yangtze River, gentle and caring.

Different from the European-style glamorous beauty that is popular nowadays, Jiangnan beauties are actually synonymous with Chinese beauty, and the following 8 are the leaders.

First place, Dong Zhizhi – Shanghai

Nowadays, Dong Zhizhi's fame is not as good as before. This is probably because she left the industry too early. In the early 1990s, she hurriedly gave up her acting career after filming the 1993 version of "Tang Minghuang".

However, when it comes to the most beautiful Xi Tzu, Dong Zhizhi even surpassed the latecomer Jiang Qinqin in the number of votes. Her beauty can be said to be "the brilliance of looking at the past, and the roaring air like orchids". Her beautiful eyes seem to be able to speak, which is not the current " "Color Contact Eyes" can be compared.

She is the standard Jiangnan beauty template, with beautiful eyes, a charming smile, delicate facial features, breakable skin, and a graceful figure.

Whether it is ancient costume or modern, they all reveal a rare subtle beauty.

At that time, Dong Zhizhi, who was only 23 years old, went to audition for the 1983 version of Xi Tzu. As soon as the makeup was set, she was stunned. Her colleagues in the crew praised her: "My eyebrows are like spring mountains, and my eyes are like paint."

It is said that during the casting selection for the 1987 version of "Dream of Red Mansions", Dong Zhizhi became the most popular candidate for "Lin Daiyu", but she was too old to play Daiyu.

Although the original film of Xi Shi in the 1983 version has been lost on the Internet, we can still get a glimpse of her amazing beauty at that time from the stills circulated on the Internet.

Second place, Ru Ping – Hangzhou

As her name suggests, Ruping has a very soft and natural appearance, and her temperament is also representative of Jiangnan beauties, as tender as water.

At the age of 29, she starred in the 1995 version of "Wu Zetian" and became famous through the role of Shangguan Wan'er. She is still the best version of "Wan'er", quiet and elegant, with a poetic and calligraphic spirit.

In the play, Emperor Wu repeatedly praises Wan'er's beauty, and Ru Ping is indeed worthy of the four words "powerful country and city". The scene where she raises her eyes and smiles will make the audience's hearts flutter no matter how many times they watch it.

Even at the age of 35, Huang Chun, the young girl played, can still perform the soft and agile performance of her first love, Bai Yueguang, and her eyes are filled with hope and hope.

The third place, He Qing——Quzhou

Talking about China's first classical beauty, He Qing said she was second but no one dared to call her first.

She has acted in four famous works by herself, from Qin Keqing to Li Shishi, and every time she performs, she is the most beautiful, especially her eyebrows that look like frowning but not frowning, eyes that look like happiness but not joy, and there is something like Daiyu's style in a trance.

Director Yang Jie chose He Qing to play "Journey to the West" because of the surprising glimpse on the train.

And because she had studied opera, she had an excellent figure, and she instantly became famous when she dressed up in ancient costumes.

He Qing's beauty can be described as a cross, "her eyebrows are like distant mountain daisies, and her acting is like autumn waves". It is not an aggressive beauty, but a stunning beauty that is suitable for heavy makeup and light makeup.

After Qiong Yao, who has always preferred beauties, heard about her beauty, she also invited He Qing to star in "Green River Grass". In the play, she played the role of the gentle and cheerful eldest daughter Hua Youlin. Her smile was so beautiful that people couldn't take their eyes away.

So in this drama, He Qing, who is the second female lead, once overshadowed Yue Ling, a Qiong girl who is famous for her beauty.

Moreover, He Qing's beauty has a long shelf life. The 37-year-old Bao Xiruo was certified as the most beautiful in the show.

She played the role of Queen Mother Sun when she was 50 years old. She also has an equally beautiful appearance. As the audience said, if you have temperament hidden in you, time will never defeat the beauty.

Fourth place, Lin Fangbing – Yangzhou

Yangzhou is located in the north of the Yangtze River, but it is a cultural "important place" in the south of the Yangtze River. Poems such as "Fireworks descend on Yangzhou in March", "Yangzhou dream once in ten years", "Spring breeze ten miles along the Yangzhou road"… all prove that Yangzhou is a place for literati Misty Jiangnan in the eyes of a poet.

Among the beauties here, in addition to Li Lingyu, the sweet song queen who became famous for the 1986 version of "Journey to the West", and Hou Changrong, the most handsome man in the Red Mansion, there is also the most beautiful Yang Guifei "Lin Fangbing".

Looking at her height and body shape, she looks a bit like a girl from the north, but looking at her face, she looks like a girl from the south of the Yangtze River.

In the 1980s and 1990s when there were so many beauties in the last century, Lin Fangbing was still outstandingly beautiful and dazzling.

As soon as the 1993 version of "Tang Minghuang" came out, the male protagonist Liu Wei was criticized again and again, but Lin's version of Yang Guifei became a classic. For this drama, she gained 40 pounds, and finally performed a beauty that looks back with a smile and is full of charm. Sixth house pink and white has no color.

Over the past 30 years, there have been more and more film and television versions of Yang Guifei, but none of them can surpass Lin Fangbing's version.

Fifth place, Tao Huimin – Ruian

When "In the Name of the People" was released previously, Tao Huimin, who was in her fifties, played the role of Qi Tongwei's wife. She was set to be a famous school beauty (when she was young) in the drama, but young audiences expressed disbelief.

However, if you had seen Tao Huimin back then, you would definitely not deny that she was a beautiful woman.

In the 1989 version of the movie "Dream of Red Mansions", Chen Hong and He Qing played the supporting roles, while Tao Huimin played the much-anticipated Lin Daiyu. Although the response was not as good as the drama version, the Tao version of Lin Daiyu can afford the reputation of the Fairy Jiangzhu.

Growing up in Ruian, Zhejiang, she has a standard "Jiangnan face", with willow eyebrows, loving eyes, and a cherry mouth. In addition, she also studied opera, so she has a classic temperament.

Even if she puts on simple modern clothes, she still has a sense of being a little white flower, a natural leading lady, making people sympathize with her in every way.

In 1992, Tao Huimin appeared on the Spring Festival Gala, wearing a light green suit, which was exquisite and fresh.

Sixth place, Gong Xue – Shanghai

Gong Xue was known as the most beautiful woman in Mainland China in the 1980s, and she was also ranked the first with Zhu Lin. People often called her "Zhu Lin in the north and Gong Xue in the south".

Her beauty is concentrated in her eyes, which are always full of emotions, and she is ready to cry in an instant, but then she smiles softly, and is bright and generous. It can be said that she has the beauty of both hairpin and black hair.

Gong Xue debuted relatively late. She only started filming at the age of 27. She only filmed movies for about 5 years when her appearance was at its peak, but she performed brilliantly in every film.

Her costumes are beautiful and vivid, and her fashions are gentle and elegant.

Some people describe her beauty as fragile, as if it is unreal.

Seventh place, He Saifei – Zhoushan

He Saifei's appearance is something to behold. The more you look at it, the more flavorful and refined it becomes.

Looking at her red carpet status at the age of 59, she is a perfect beauty. If you look closely at her facial features, you can also get a glimpse of her beauty back then.

She majored in Yue Opera in her early years and left a lot of wonderful memories on the opera stage. After turning to film and television dramas, she became a professional concubine, with a very soft and charming look in her eyes.

From Mei Shan to Yang Jiuhong, they are all beauties with great charm.

Eighth place, Chen Lifeng – Wenzhou

Compared with the top seven, Chen Lifeng is the least famous, but in terms of beauty, she is definitely the top contestant among Jiangnan Beauties.

In fact, she was the most prolific calendar girl in the 1990s, but compared to Chen Lifeng in the photo, she is more classically beautiful in action.

After entering the film industry, she played important roles in "The Matchmaker" and "Swordsman". One was the beautiful daughter Cui Yingying, and the other was the weak junior sister Yi Lin.

There are not many roles but she is excellent. Chen Lifeng established her status as a classic beauty with only two roles.

Compared with today's stereotyped technological faces, or the simple and crude white and thin aesthetics, these 8 Jiangnan beauties are beautiful in their own way and have their own characteristics. Their eyes are bright and lively.